Sunday, December 30, 2018

Sneaks And Peeks

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I have to confess something. I'm a closet sticky-beak. Addicted to biography, I love to know about other people's lives, but not in that gossipy kind of way--rather the way that is steeped in genuine interest. Other people's worlds fascinate me. Perhaps that's why I'm a writer.

One of my biggest dreams is to be able to throw open every door in the neighbourhood and to walk through each and every house, just looking, touching nothing (unless there is a dog or a cat) and then walk out again, gleaning little snippets of meaning of lives lived and the possessions and pictures and decorating styles that make each of us unique. Homes are a rich tapestry of our worlds.

Similarly, books are a rich tapestry of the author's mind. And illustrations the rich tapestry of the illustrator's mind. They are a culmination and perspective honed by life and experience itself.

I LOVE this. Perhaps that's why I'm addicted to words and pictures. They are rich in meaning beyond the surface.

And, being the impatient soul that I am, along with my sticky-beakness, one thing I absolutely love love lovity love... is sneak peeks.

I cannot wait! (eyeing you, Dub Leffler, Jen Storer, Gus Gordon, Katherine Battersby and many, many more people, as they create books I am busting-in-the-face-purple to see). So darned impatient. I want sneak peeks and I want them NOW!

So, in keeping with my rabid desire to see works-in-progress, herewith a little peek for anyone else suffering this chronic complaint of creative impatience. These are some page snippets I've been posting these past few months (mostly on Facebook) of the pages of my first illustrated book (out November).

Things are still a little early so I cannot say more about Le Book just yet, so I will SUFFER in silence. Needless to say, you will all be the first to know more. Hopefully soon! Soooooon!

In the meantime, enjoy this little tiptoe through my mind. (That's a scary thought.)

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Thursday, December 27, 2018

My Creative Life Podcast With Vanessa Carnevale

vanessacarnevale/podcast/2016/3/14/021-writing-for-children-with-tania-mccartney" target="_blank"> I had such a wonderful time chatting with Vanessa Carnevale recently My Creative Life Podcast with Vanessa Carnevale


I had such a wonderful time chatting with Vanessa Carnevale recently, for her series of Your Creative Life podcasts. Vanessa is an author, life coach and extremely creative podcaster. She's also a lot of fun to natter with. We chatted about writing and illustrating for children, so if you want some insider info, this conversation is for you.

The Creative Life Podcast Series
Helping writers connect to their creativity. Listen in on the intimate conversations and insights with writers, authors and creative entrepreneurs, and be uplifted and inspired about the writing process and living a creative life.

You can listen in by clicking the image above! You can also learn more about the other podcasts she's recorded (I'm #21) right vanessacarnevale/podcast/2016/3/14/021-writing-for-children-with-tania-mccartney" target="_blank">here.

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Monday, December 24, 2018

Smile Cry In New Idea And Books + Publishing Junior

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So chuffed to see our sweet little book in a big time mag! Thank you, Angela!

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And always honoured to be chosen for review in Books + Publishing's Junior Newsletter and on their website. Thank you, B + P!

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Friday, December 21, 2018

International Children's Book Day Event


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International ChildrenΓÇÖs Book Day is celebrated around the world on Hans Christian AndersenΓÇÖs birthday, April 2.

Join Muse for a Canberra special with beloved local authors Irma Gold and Tania McCartney and recent arrival, illustrator Tony Flowers.

ThereΓÇÖll be readings, on-the-spot drawing and colouring in - all the best things about books to celebrate this special day.

Saturday, 2 April 2016
 3:30pm ΓÇô 4:30pm

TICKETS: $10 per child (includes a glass of wine or soft drink for accompanying grown-up). Head to musecanberra.au/events/2016/3/8/h2lom3alkuqt5jal1cnquy5qz1bg4y" target="_blank">Muse for more info, and to book.

(I will be reading my merk new book, Smile Cry, among other books!)
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Tuesday, December 18, 2018

A Crash Course In Grammar And Punctuation

When it comes to writing professionally, it's all in the details. Whether you're writing an opus or just sending a publisher query letter, good grammar and punctuation can be the difference between being taken seriously ... and shuffled to the bottom of the pile.

One of the best investments you can make, as an author, is a course in editing and proofreading; one that teaches you the fundamentals of grammar and punctuation. I know--I know--you have all the time in the world, right? Actually, yes, you do! If you're serious about making this writing dream a heartfelt reality.

While you spend time researching and committing to an editing course that will exponentially advance your writing journey, here is my little crash course in grammar and punctuation basics, based on the same old 'mistakes' I see time and again. Presenting your work in a more professional way will seriously up your chances of being taken seriously in this highly-competitive industry.

Remember--excellence all the way!

APOSTROPHES
Pretty much any Grammar Nazi's nightmare, they don't need to be confusing. There are two types of apostrophe. They are:

POSSESSIVE - the apostrophe indicates that something belongs to someone or something. It was Sarah's cake all along.

CONTRACTION - the apostrophe takes the place of a missing letter or letters/numerals. In the following sentence, the apostrophe is replacing the missing 'o' in 'not'. It really wasn't her cake, after all.

The only exception is when it comes to it's/its. Let's examine this!

It's - a contraction for 'it is'. It's going to be a lovely day
Its - possessive for 'it'. The car is going in for its second service next week. You'll notice the car doesn't have a possessive apostrophe because we so commonly use 'it's' as a contraction, and we cannot risk confusing the two.

NEVER, EVER USE AN APOSTROPHE TO INDICATE A PLURAL! Plurals need nothing but an s!!! This mistake is becoming frighteningly common, particularly in American texts. It's photos not photo's. Cars no car's. Bananas not banana's. DVDs not DVD's. 1980s not 1980's. You also don't need to add one before other suffixes like 'ing'. So, it's toing and froing, not to'ing and fro'ing.

On the date thing (this drives me nuts!), the only time 1980's would work is if you wrote a sentence indicating possession, e.g. 1979 is over. It's 1980's turn now. Note that if we are talking about the 1980s as a decade, rather than an actual single year, we would need to write - It's the 1980s' turn now. - because the 1980s is plural, representing 10 years.

Possessive apostrophes with plurals
Plurals take possessive apostrophes AFTER the s. It is the kids' turn (plural) not It is the kid's turn (singular).

Apostrophes with numerals
Similarly, numerals do NOT need apostrophes ever, unless they are involved in a--you guessed it--contraction (i.e. letters or numbers are missing) or need to indicate possession. So, if some numerals are missing, we add an apostrophe to show what's missing. With 1980s, you may want to remove the 19. You would therefore put an apostrophe to show the 19 is missing:

'80s
NOT
80's

CONTRACTIONS
A contraction is when you shorten two or more words to make it into one. Don't. Can't. Shouldn't. That's. Here are some common contraction mistakes and their homophones, which are also often confused:

your you're
Your means belonging to you.
You're is a contraction of 'you are'. The apostrophe replaces the 'a'.

their they're there
Their means belonging to them. 
They're is a contraction of 'they are'. The apostrophe replaces the 'a'. 
There refers to a place or idea. 

its it's
Its is the only possessive noun or pronoun that drops the apostrophe.
It's is a contraction of 'it is'. The apostrophe replaces the 'i'.

COMMAS

Regular comma
Commas effect a 'pause' or 'breath'. They can also indicate a slight change in the direction of the sentence. But for the most part, they are used for comprehension. Consider the following sentence:

Tom and Jane baked very well but one day 
when they failed the panggangan was to blame.

This is a difficult sentence to read. Immediately, we read that the panggangan was the direct object of 'failed'. So, essentially, Tom and Jane failed the oven. Adding commas in the right places makes for greater comprehension.

Tom and Jane baked very well, but one day,
when they failed, the panggangan was to blame.

It's becoming increasingly common for publishers and journals to omit commas in their texts and it's a real bug-bear of mine. It's being done under the guise of being modern, I guess, but I've lost count of the forced sentence-re-read and re-read and re-read, thanks to the comma omission. You may have noticed, yourself, that commas are being released from their 'bondage' in such sentences:


Hello Frank. How are you?
She loved eating cake too. 

After the addition of two wee commas ...
Hello, Frank. How are you?
She loved eating cake, too. 
... ah, now I can breathe.

Oxford comma
Also called the serial comma, this is an American creation and is not used in Australian texts, unless there are a series of 'ands' that compete with each other for comprehension. You can see the Oxford comma in the second sentence, below (just before 'and'). We find this superfluous in British and Australian text, and also misleading because in the sentence below, a pause is not needed before 'and' (in fact, is sounds strange to pause here).

The bear likes apples, pears, bananas and oranges.
NOT
The bear likes apples, pears, bananas, and oranges.

The exception is below, when a series of clauses (words joined with 'and'--I've coloured-coded each clause) can become confusing if not separated by commas:

The bear likes apples with honey and cinnamon, pears topped with cream and a cherry, bananas in pies and cakes, and oranges with syrup.

A good way to remember this: does the sentence need a slight pause or breath? If yes, it usually means a comma is required. When we say 'bears like apples, pears, bananas and oranges', we do NOT need to take breath or pause between 'bananas and oranges' (which is why the Oxford comma continues to perplex me). We DO need a breath or slight pause, however, at the end of the second more complex sentence, above. And we also need it for comprehension clarification ... if we didn't have a comma after 'cakes', the reader might think the bear likes his bananas inside pies, cakes and oranges with syrup.

DIALOGUE

Speech Marks
In Australia, speech marks (inverted commas) are singular ('), not double ("). When you move to the US, you can use double, but in the meantime, your dialogue should read like this:

ΓÇÿWhat on earth are we going to do about this?ΓÇÖ Horatio 
tugged at his curling moustache.

Speech marks are always the outer-most placement of any sentence, punctuation-wise. They cuddle the speech and accompanying punctuation marks within. For example:

'Can you pass the salt?'
NOT
'Can you pass the salt'?

'I told you not to do that!'
NOT
'I told you not to do that'!

'I would like some more,' said Oliver.
NOT
'I would like some more', said Oliver.

If a sentence finishes within the dialogue, it ends with a full stop:

ΓÇÿDonΓÇÖt worry, Cartie. Mum will like it. It has sequins.ΓÇÖ

... unless it's followed by an indicator of who's speaking. This is when you use a comma.

ΓÇÿDonΓÇÖt worry, Cartie. Mum will like it. It has sequins,ΓÇÖ said Edie. 

You'll notice, above, there is a full stop after 'Edie'. This is because she's stopped speaking. If Edie was continuing the sentence, it would be appear like this, with a comma after Edie:

ΓÇÿDonΓÇÖt worry, Cartie. Mum will like it. It has sequins,ΓÇÖ said Edie, 'and she loves sequins.' 

Quotes
When using quote marks, use single inverted commas.

Cartie, who had already began plucking black 'stars' from 
the floor, stood and stared. 

This is also the case within dialogue.

ΓÇÿNo one can know. No one will 'believe' us. TheyΓÇÖll think weΓÇÖre fools.ΓÇÖ

Unlike speech marks, quote marks (in Australia) do not have to be placed at the outer-most part of a sentence. In fact, they are always cloistered inside the sentence, sitting snugly around the actual word, with no punctuation breaking that snug connection. This is the opposite in the States, which uses the second example (again, confounding to my eyes!).

ΓÇÿNo one can know. No one will believe us. TheyΓÇÖll think weΓÇÖre 'fools'.ΓÇÖ
NOT
 ΓÇÿNo one can know. No one will believe us. TheyΓÇÖll think weΓÇÖre 'fools.'ΓÇÖ

ELLIPSES
Please, please, please don't type an ellipsis like this ..... this .................. or, God forbid, this:

.........................................................................................

Ellipses consist of THREE full stops only, and they always have a space either side of the text*. For example:

The great cake sailed up, paused for 
a moment ... and began to fall. 
AND
He can be a little bit strange ...

*Organisations, publications and publishers have what's known as a 'Style Guide' that are used consistently. Sometimes, small things like ellipses can differ slightly from what's considered standard (i.e. as per the Australian Style Guide). Some publishers, for example, have their ellipses sitting flushing against the last word, like this...

DASHES
Ah, the dreaded dash. There are pretty much three types:

hyphen -
en dash (so-called because it has the width of a regular n) ΓÇô
em dash (so-called because it has the width of a regular m) ΓÇö

hyphens -
In general, you use hyphens between words/numerals to create ONE word or numeral, so there should never be a space either side of them. It's easy to remember them because they essentially glue words together, and indeed, a hyphenated word counts as one word in your text word count (nice!). They are call 'compound adjectives', 'compound nouns', 'compound verbs', etc.

state-of-the-art
in-house
moss-covered
two-thirds
mid-May
 
Written numbers from 21 to 99 are always hyphenated. These are called 'compound numbers'. Numbers below 21 or higher than 99 do not need hyphens.

ninety-nine
twenty-seven

When it comes to even larger numbers, again, no hyphens are needed, unless the number stated is between 21 and 99.

six thousand, nine hundred and eighty-seven
thirty-four thousand, three hundred and fourteen
twenty-nine hundred 

One common mistake with hyphens is in regard to age. Here are the correct ways to punctuate someone's age.

the six-year-old girl
the girl is six years old

We only use hyphens when we need to pull several adjectives into one--to essentially make them one word (compound). When reading 'six-year-old girl', those three hyphenated words become one. They are a descriptor for the girl (the adjectives come together to modify the noun.) We can't say 'six girl' or 'year girl'--none of these words on their own make sense, so those three words combine as a set of words to create one meaning - six-year-old.

When we say 'the girl is six years old', however, we are not modifying the subject with an adjective, so we just say 'six years old'--no hyphens. I always remember this rule by the 's'. If there's an s involved (six years), I know there are no hyphens. If we want to say That's a twenty-year-old house, we need to add hyphens as these adjectives have become a singular descriptor to modify the noun 'house'.

Another hyphen rule is to add the hyphen to a set of words that would have normally been hyphenated, but you'd prefer not to laboriously write the full phrase each time. Note, below, that I have added a hyphen to six and seven, with no need to add year-olds after each one.

In our class, we have six-, seven- and eight-year-olds.

en dashes ΓÇô
An en dash essentially means 'to'. So:

from OctoberΓÇôDecember 
from 59ΓÇô100

Some publications/journals put spaces either side of an en dash, so either is correct (again, publishers, magazines, newspapers, have their in-house Style Guide, which may sometimes stray from the standard Australian Style Guide, but not often). I prefer to put a space, personally, because the en dash can sometimes look like a hyphen, depending on the typeface:

from October ΓÇô December
from 59 ΓÇô 100

em dashes ΓÇö
An em dash typically indicates a break in a sentence to indicate pause, further thought or even a change in thought/sentence directionΓÇöthough the latter can sometimes be represented by a semi colon (;). Em dashes can also be used in placeΓÇöas I have done right hereΓÇöof brackets (which can become tiresome and addling if used repeatedly).

There is no space either side of an em dash.

A NOTE ON SEMI-COLONS
As mentioned above, semi-colons are often used when a change in direction is needed in a sentence, or additional information is added that doesn't flow well in a grammatical sense.

They can also be used to separate a series of longer clauses or sentence fragments, to help with reader comprehension. This is especially so if the clauses contain multiple use of the word 'and', though do note that this form of punctuation is outdated (often used in text books) and a regular comma is pretty much always used in modern texts:

The ship carried a multitude of supplies including food that was high in nutrition and water for prisoners and crew; livestock and relevant foodstuffs to keep the livestock in good condition for arrival; botanical samples from the various ports and islands along the route; and a series of lovely beads to gift to local natives.

In modern texts, semi-colons are not used to separate lists of items.

The ship carried food, water, livestock, botanical samples and beads.
NOT
The ship carried food; water; livestock; botanical samples and beads.

NUMBERS
Although this rule can vary between publications and publishers, the Australian Style Guide rule, when it comes to journalism, is to write numbers from one to nine, then from 10 upwards, we use numerals. In novels, however, this rule changes, and you'll regularly see the use of eighty-six and twenty-four, etc. Writing out the numbers looks less like a magazine or newspaper and more 'novel-like'.

INITIALS, ACRONYMS and COMMAS
In Australia, we have pretty much stopped using full stops to indicate initials and acronyms, along with the commas on numerals (2000 as opposed to 2,000), though they still do it in the States. Commas are sometimes added to longer numbers, just for comprehension, but more often than not, these are being replaced with gaps.

100 000 000
NOT
100,000,000

Dr Seuss
NOT
Dr. Seuss

DVD
NOT
D.V.D.

Michael J Fox
NOT
Michael J. Fox

Frank Jr
NOT
Frank Jr.

Mrs Jones
NOT
Mrs. Jones

THAT V WHO
The general rule is this:

THAT is used for an object. This is the book that changed my life.
WHO is used for a person or people. She is the woman who hired me. They are the people who changed the world.

Regarding animals ... there's an unwritten rule that it's okay to use 'who' so long as the animal is known to you/has a name. For example:

There is the dog that bit me!
This is my dog, Russell, who happens to be the love of my life.

THAT THAT THAT
So many thats! A personal bugbear of mine and it's so common! Be wary of using too manyΓÇöit's clumsy and superfluous, and sucks the flow, meaning and comprehension out of sentences.

I think that the world is moving so fast that we find that we are missing out on the things that matter most; things that we will pine for when all is said and done.

How much better without all the thats ...

I think the world is moving so fast, we find we are missing out on the things that matter most; things we will pine for when all is said and done.

REGARD/REGARDS
In regard to this issue ...
With regard to that issue ...
Regarding those issues ...
These never take an s!!

Only exception:
As regards the following issues ... (this is old-fashioned, formal speak)AND
Please send him my regards. (greetings)

COMMON MISPELLINGS
Green means yes, baby! Red means no! no! no! stop it immediately!

all right alright
divine devine
lose loose (when something is lost)
definitely definately
a lot alot
mothers-in-law mother-in-laws
weird wierd

I hope this helps you with your grammar/punctuation-wrangling!

Want even more? Also see importantnutrientsspot/search?q=" target="_blank">My Grammar Rant. And I highly recommend theoatmeal/comics/misspelling" target="_blank">The Oatmeal and quickanddirtytips/grammar-girl" target="_blank">quick and dirty grammar tips by Mignon Fogarty.

Leave a comment with your own bugbears, if you like!


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Saturday, December 15, 2018

One Word Wisdom With Designer Lisa-Marie Kerr

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1. What is the best thing about running your own design company?  
Freedom

2. WhatΓÇÖs the worst thing?  
Uncertainty

3. How did opening Bear and Sparrow make you feel?  
Breathless

4. What do you hope it brings its customers?  
Rapture

5. Who has influenced your business the most? 
Society

6. What has been your biggest career reward? 
Self-Actualisation 

7. What's the most important contribution design can make to the world?  
Stimulation

8. WhatΓÇÖs your biggest career goal?  
Acclaim

9. What else do you like to do?  
Encourage-others

10. WhatΓÇÖs next?  
YouTube

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Lisa-Marie Kerr refers to herself as an ideas pi├▒ata ... even she struggles to keep up with what she describes as the divine inspiration she receives daily. The owner and chief designer for stunning children's homewares website Bear and Sparrow, Lisa-Marie is a woman who craves variety and ... being different, which she uses as her motivation when designing new pieces for Bear and Sparrow. Married with three beautiful children and the most gorgeous dog, Lisa-Marie is an everyday woman working hard to make her mark on the world. Bear and Sparrow is 100% Australian owned, designed and made.

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Learn more about Bear and Sparrow at the bearandsparrow.au/" target="_blank">website. 

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Wednesday, December 12, 2018

Lull

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Lisa-Marie Kerr

Sometimes, we all need a lull. A period of less frenzied activity. A time of creative connection without the pressure of production.

More time to ponder, less time to do.

More time to wander, less time to rue.

I've spent the last month in a state of Lull. At a slower pace. After a deeply-dedicated, lengthy period working on my first illustrated book (I'm revealing the title at the end of this post!!), putting in about 900 hours and putting on about 900 kilos in the process, I've taken this time to walk, read, crochet, eat good food, and do yoga in the sunshine.

I've still had commitments, including finalising the next two books in the ekbooks.au/a-kids-year/" target="_blank">A Kids' Year series (out Aug 2016), finishing research and text for the following two books (out 2017) and writing some articles for magazines and reviews for kids-bookreview/" target="_blank">Kids' Book Review. I've also had some events and promo for ekbooks.au/titles/smile-cry/" target="_blank">Smile Cry, but overall ... the balance has really shifted in my world.

It's been really interesting entering this Lull period because once you're immersed in a more balanced state (rather than having your head perennially buried in work), you can look through your own internal window and really see what's happening out there--perhaps for the first time in a long time. It's been an eye-opening experience for me, looking through that window with some long-forgotten clarity. It's made me realise how very much I need these periods of Lull -- to recalibrate, re-energise, and become re-inspired.

I also think it's helped forge a gentle new direction in my career, and I'm not even sure what that is yet!

I think we're in real danger of diminishing leisure time--touting it as 'lazy' or unproductive. We need it as much as we do our work. Without it, we are unbalanced, sick, angry and FAR from our best in a creative sense. It's the yin to our yang. And it should be slotted and scheduled and given as much importance and dedication as our 'work'.

Work that we love is vital for our wellbeing and contentment, but I'm sorry ... multitasking is dead. Being 'busy' is over. It's passé. I'd even go so far as to say that being 'busy' is kind of boring now, and I truly hope you never hear me say 'I'm busy' ever again. Do you know why? Because 'busy' is a sickness. And we are killing ourselves with it.

This past month, I've redefined what busy means. I've returned it to its original meaning--that is: 'occupied', as opposed to its more modern meaning 'having a great deal to do'. Having a great deal to do is an illusion. It's a self-imposition. And impositions always end up stressing us, throwing us off balance, or making us frustrated and miserable ... all certain paths to sickness. Of body, soul and mind.

Sometimes I'm simply 'busy' (read: occupied) with resting. Walking. Smearing honey onto sourdough. Staring into space. Ironing sheets (yes, I iron sheets; well, just the top part). Snipping roses. Painting toenails. Baking. Sipping tea in the sunshine. Cuddling my kids. And all of those things, contrary to what the Modern World will have us believe, are as important, if not more so, than producing, achieving, succeeding.

And don't even get me started on the warped idea of what 'success' means now.

We can't achieve, succeed and produce anything wonderful without the time it takes to dream and create. Leisure time gives us that priceless opportunity. And there's NO shame in it.

I want to ask you if you'll be brave enough to do something. 

The next time someone asks you to do something, don't say 'I'm too busy/I'm snowed with work'. Instead say something along the lines of 'I'd love to do that for you but I'm going to spending that afternoon reading/walking/baking/sleeping/drinking coffee/staring into space/insert your own vital leisure pursuit here.' 

I dare you to help change the false 'busyness' perception we're so entrenched in. I dare you to make it clear that Lull time is just as important, if not more, than 'work' time. I dare you to make it clear that we will take NO MORE lull-shaming.

Being brave myself, I'm now going to share with you all the lovely leisure/lull activities I've been doing this past month, that's made me unashamedly unavailable to do too much else, especially 'work'.

I created some portraits for two of my beautiful friends. Lisa-Marie Kerr of bearandsparrow.au/" target="_blank">Bear and Sparrow (at top of this post) and author/illustrator extraordinaire, nickyjohnston.au/" target="_blank">Nicky Johnston.

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Nicky Johnston

Nicky also did a portrait of me with Smile Cry! It was a heck of a lot of fun creating versions of each other.

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My divine friend jenstorer/" target="_blank">Jen Storer came to town for the launch of Smile Cry.  

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love this girl (her fave page in the book is the one on the left--A GOODBYE CRY)

We got to spend some treasured time together, and she even launched the book at Harry Hartog in Woden (above). You can see a wrap-up importantnutrientsspot/search?q=" target="_blank">here. Jen has since gone on to launch a sensational new video series via her Girl and Duck creative inspiration and teaching site. They're called Q&Q Fridays, and in them, Jen answers all your most pressing writerly needs. All you need do is subscribe girlandduck/" target="_blank">here and you'll receive free access to the videos via email.

I had a full page article in the Canberra Times, writing all about feelings in little ones (see it importantnutrientsspot/search?q=" target="_blank">here).

I began a crochet project -- my first for the year. Canberra gets cold VERY suddenly -- usually in the space it takes to get the April school holidays over and done with. This is proving soooo therapeutic.

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I actually created an image for the facebook/groups/418616991575037/" target="_blank">52-Week Illustration Challenge, after a too-long hiatus. This was for Week 10: ANIMAL, and was inspired by the work of the amazing oanabefort/" target="_blank">Oana Befort. I'm practicing different styles of illustration before committing to my next illustrated book. I dedicated it to my daughter, who kind of likes horses. A bit.

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As part of that illustration exploration commitment, I also began (actually, late January) a course in illustration with carlasonheim/" target="_blank">Carla Sonheim. She has an incredible series of online classes, and I'm taking the Y is for Yellow year-long course which aims to build a solid body of work (something I sorely need). I'm loving it! It was great to spend time on this course the past month.

I decided it was high time to get some pro author head shots done. I've put this off and off and off and off, but, like a dentist appointment, I knew it just had to be done, and was so sick of that 'looming' feeling, I just got in and ripped that bandaid off!

When you have author head shots done, it's best to book someone really incredible. Enter the gorgeous, uber talented pobkephotography/" target="_blank">Christine Pobke, who took these shots at the National Gallery of Australia. With her beautiful little girl, Elsie, in tow, we had the most wonderful time. Christine made me feel so at ease and I'm delighted with these pics. 

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Having pro shots is so worth it--not only because they can make you look good (!) but because they make you look, well, pro.

If you want to have them done and worry about the cost, I suggest finding a great photographer via word-of-mouth and asking if they can do a quick 30-min session. That's actually MORE than enough time for a good photographer to get many great captures. You could negotiate a price that includes a couple dozen high-res digital shots. Be sure to ask them about shooting venues (they know best!) and maybe even offer to go to their studio, to cut travel costs. Also ask what they expect in terms of credit/usage of imagery, so you're clear on how you can use them. Photographers should not insist on a watermark or on-print logo/credit. It looks awful, and the photo is not about them, it's about you. Credit can always be given elsewhere.

What else have I been 'busy' with?

Oh - this 'cover girl' thing happened, sweetie darling. That was confronting!! but amazing exposure and great article, thanks to the gorgeous Laura White and the Canberra Weekly.

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What else?

I marvelled with delight (and am continuing to do so) as the leaves in our garden began turning red.

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I had a massage during which a Thai woman walked on my back and at times caused enough pain to rival childbirth. And this coming from a woman who had weekly, tough-as-nails massages while living in China. NO PICTURE of this one!

I signed up for this documentary series thetruthaboutcancer/" target="_blank">The Truth About Cancer. Whatever your orientation on this topic, it promises to be eye-opening and packed with confronting information and revelations. Methinks Big Pharma is nervous! Apparently over a million people have already signed up to watch.

Oh, and I lost a kilo. Only 899 to go!

I've committed to some wonderful upcoming events, including some Book Week visits. My National Library co-book-creator, christinabooth.weebly/index.html" target="_blank">Christina Booth, is coming to Canberra in April, and our local SCBWI chapter is thrilled to have a speaking engagement for her. See poster below.

Christina and I are in the akibat stages of our next NLA book, following in the footsteps of bookshopa.gov.au/book/this-is-captain-cook.do" target="_blank">This is Captain Cook. Can't wait to reveal more!

eventbrite.au/e/scbwi-meeting-with-authorillustrator-christina-booth-tickets-23774321636" target="_blank"> A  time of creative connection without the pressure of production lull

I'll be reading Jol and Kate's fabulous book--I Got This Hat--for National Simultaneous Storytime at Dickson Library on 25 May. I'll also be reading a couple of my own books.


alia.au/nss" target="_blank"> A  time of creative connection without the pressure of production lull


See all upcoming events right taniamccartneywebspot.au/p/events.html" target="_blank">here.

And what's coming up? Some ingusan fiction. A new picture book idea. Crochet. Reading Flow magazine. Baking. Walking. Watching leaves fall while sipping coffee.

And now for an exciting announcement--I can finally reveal the title of my first self-illustrated picture book (out November 2016). Drum roll, please ...

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Australia Illustrated

Yes, that's right. Stay tuned. I shall reveal more in the coming months!

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Sunday, December 9, 2018

Selected Recent Illustrations

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no.2 The Conservatory, The Flora Series, 2018


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no.3 The Flower Girl, The Flora Series, 2018

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no.4 The Leaf Fairy, The Flora Series, 2018

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no.5 The Bonnet, The Flora Series, 2018

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no.6 The Book, The Flora Series, 2018


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no.7 The Seamstress, The Flora Series, 2018



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no.8 The Flamenco, The Flora Series, 2018

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no.9 The Leaf Dress, The Flora Series, 2018

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no.10 The Hair, The Flora Series, 2018




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Lizzy, pet commission, Apr 2018
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no.2 T-Shirt Bear, A Bear a Day, Jan - Mar 2018

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no.7 Pork Pie Bear, A Bear a Day, Jan - Mar 2018

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no.46 Flower Crown Bear, A Bear a Day, Jan - Mar 2018

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no.82 Hibernating Bear, A Bear a Day, Jan - Mar 2018

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no.90 Bear Hat Bear, A Bear a Day, Jan - Mar 2018

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from Mamie, HarperCollins, Dec 2018

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